Sony Alpha ILCE-7 III + 28-70 SEL + DJI RS 3 Mini

Sony Alpha 7 III

Stunning full-frame image quality
The newly developed rear-exposed Exmor R CMOS image sensor with 24.2 megapixels plus front-end LSI stands for ultra-high image quality and speed. The image sensor's readout speed has Sony effectively doubled. Thanks to updated BIONZ X processor, image processing speed also increases by 1.8 times compared to the α7 II. An ISO range of 100 - 51,200 (expandable to ISO 50 - 204,800 for stills), a dynamic range of 15 stops, and significantly improved skin tones and more lifelike colors speak for themselves here. 14-bit RAW is no problem for the α7 III, even in silent continuous shooting. The 5-axis image stabilizer compensates up to 5.0.

Higher AF speed and performance
The new α7 III full-frame mirrorless camera features an autofocus system that has little in common with the α7 II. 4D FOCUS is the keyword here. The 425 AF contrast autofocus points of the new camera are complemented by 693 phase autofocus points, which the α7 III has in common with the α9 camera. The autofocus thus covers about 93 percent of the image. It captures and tracks even the most difficult subjects.

Because image data can be read out more quickly, the α7 III can focus nearly twice as fast in low light as the α7 II. The speed at which it can track objects has also doubled.

The new camera also masters the tried-and-true eye detection, and that too in AF-C mode. The function is even available with A-mount lenses via LA-EA3 adapter. Using the joystick, the autofocus point can be easily and quickly placed in the right position with the thumb. Photographers had already come to appreciate this with the α9 and α7R III.

Fast autofocus for the decisive moment
The new α7 III is capable of capturing up to ten images per second at full resolution with continuous autofocus on the memory card. In total, the buffer is sufficient for up to 177 standard JPEG images, 89 compressed RAW images or 40 uncompressed RAW images. The High Speed mode is possible either with a mechanical shutter or absolutely silent. Even in Live View mode, continuous shooting at up to eight frames per second is possible with minimal delay in the viewfinder or on the LCD.

For even more convenience, all important camera functions can be adjusted at any time or even written to the memory card during image series. These include access to the "Fn" (Function) and "Menu" (Menu) menu buttons, image playback, and several other parameters-including image rating and other functions that facilitate image sorting on location.

In addition, under tungsten lighting, the α7 III can, if desired, automatically detect the frequency of lighting and select the shutter speed so that the light has no effect on the image result. This minimizes exposure or color deviations that can sometimes occur at the top and bottom of images taken at fast shutter speeds.

High-quality video in 4K
The new α7 III can do not only photo, but also video - and in 4K (3840 x 2160 pixels) across the full width of the full-frame image sensor. In video mode, the camera reads every single pixel - without pixel binning. As a result, it captures 2.4 times the amount of data required for 4K movies. The result is high-quality 4K footage with exceptional depth and extra detail.

For ambitious filmmakers, the α7 III can handle the HLG (Hybrid Log-Gamma) image profile. This guarantees an instant HDR workflow that can play back beautiful, realistic 4K HDR images on HDR (HLG) compatible TVs. S-Log2 and S-Log3 are a given for the new camera in video mode - as are Zebra Function and Gamma Display Assist. In Full HD, it can also record four- and five-frame slow-motion footage at 120 frames per second and up to 100 Mbps.

Improvements in build, design, and customization
The new α7 III inherits many features from the α9 and α7R III: these include two media slots, one of which is for UHS-II SD memory cards. JPEGs can be stored on one, RAW shots on the other. Videos and photos can be recorded separately on both memory cards. But data backup, where all data is stored twice - on both cards - is also possible. With a new battery, the camera also shines in terms of runtime. With a CIPA standard of up to 710 shots with active monitor or 610 shots with active viewfinder per charge, it currently offers the longest battery life of all mirrorless cameras. The new Z-series NP-FZ100 battery from Sony has approximately 2.2 times the capacity of the W-series NP-FW50 battery used in the α7 II.

For even more clarity in the menus, up to 30 functions can be stored in "My Menu" for quick access. Photographers can also assign star ratings directly to their images via individual buttons to find good shots even faster for post-processing. In addition, the first three characters of all photo files can be edited. In total, the α7 III has 81 functions that can be assigned to eleven freely assignable buttons. As befits a model in this class, the camera is both dust and moisture resistant.

The α7 III features a high-resolution, high-contrast, fast-operation XGA OLED Tru-Finder with approximately 2.3 million dots for extremely precise, lifelike detail reproduction. Standard or High display settings are also available for both the viewfinder and monitor. Those who like can seamlessly transfer files to a smartphone, tablet, computer or FTP server via Wi-Fi. The USB Type-C SuperSpeed USB port (USB 3.1 Gen 1) also provides more power flexibility with cables and faster image data transfer for PC tethering shooting.

The α7 III also comes with Sony's new "Imaging Edge" software suite, which extends creative possibilities to the entire shooting process - from pre- to post-processing. "Imaging Edge" features three PC applications called "Remote," "Viewer" and "Edit," which can be downloaded for free and support live-view remote shooting and RAW development. In the latest version 1.1, data transfer works about ten percent faster for remote shooting from PC (PC tethering shooting). RAW image processing speed increases by about 65 percent.

Sony SEL-2870

28-70mm Zoomlens with built-in image stabilization for 35mm format

- 35mm shooting for E-mount cameras
- Versatile 28-70mm Zoomlens with F3.5-5.6 aperture
- Sharp and stable shooting with SteadyShot
- Precise detail - When paired with a 35mm E-mount compact camera, the SEL-2870 lens ensures high resolution.
- Versatile shooting options - The versatile 28-70 mm Zoom range allows shooting at longer distances and from a variety of angles.
- Brilliant photos with low aberrations - Three aspherical elements and an ED glass lens reduce aberrations and distortion for high-contrast images.
- Sharp handheld shots - Optical SteadyShot™ image stabilization compensates for camera shake during handheld shooting without a tripod, ensuring blur-free images.
- Ideal for portraits and landscapes - Medium F3.5-5.6 aperture allows higher resolution for wide-angle and telephoto shots even at maximum aperture.
- Shoot in any weather - For shooting in harsh weather conditions, critical areas of the lens body are sealed against dust and moisture.
- Smooth blur effects - A circular aperture with 7 blades creates natural blur or bokeh effects.
- Advanced optics for a compact design - Lightweight and compact optical design in a 295g body.

DJI RS 3 Mini

The very first mini version of the RS series, the DJI RS 3 Mini is a small, lightweight handheld stabilizer with a strong payload capacity. It supports common mirrorless camera and lens combinations and inherits the excellent stabilization performance of the RS 3 series. Unleash your full shooting potential with the DJI RS 3 Mini and achieve professional results effortlessly.

Lightweight and reliable
The RS 3 Mini adopts a new, innovative design that includes a smaller build, built-in battery and true vertical shooting. The compact and handy body fits easily into a shoulder bag so you can travel light. The RS 3 Mini is about half the size of the RS 3 Pro. This makes it much more comfortable to carry for long exposures.

Super light, easy to control
The RS 3 Mini weighs only 795 g in portrait mode, which is about 50 % lighter than the RS 3 Pro and 40 % lighter than the RS 3 [1]. It weighs only 850 g when shooting with the horizontal arm. In addition, a concentrated center of gravity provides a more stable and ergonomic carrying experience.

Simply powerful
The RS 3 Mini has a payload capacity of up to 2 kg, making it the best in its class* in terms of weight, so it can easily handle larger configurations such as an Sony A7S3 + 24-70mm F2.8 GM lens. It supports popular full-frame or APS-C mirrorless cameras and enables a wide range of camera and lens combinations. [2] With high-torque motors, the RS 3 Mini can maintain a stable shot with most lenses, even when zoomed to the maximum focal length, without the need for repositioning.
*As of January 2023.

Ready for cinema shooting - Professional stabilization
With the same outstanding RS stabilization algorithm (3rd generation) of the RS 3 Pro, the RS 3 Mini can achieve professional image stabilization. Whether you're shooting while running, shooting from a low angle or filming in flashlight mode, your footage will always remain stable.

Extensive camera movements
The size and functions of the RS 3 Mini offer many possibilities to achieve extensive camera movements and a unique film language. Camera shake is no longer a problem. So you can capture every moment right from the start and film with more confidence.

Flexible and comprehensive
An improved dual-layer quick-release plate features a top plate with a curved positioning guide that prevents the camera from rotating and loosening. Efficiency is further improved with clear mounting and locking markings. It also follows the ARCA standard, making it easy to switch between tripods.

True vertical shots
With the DJI RS 3 Mini, the RS series has achieved a breakthrough in true vertical shooting. Switch to vertical shots immediately without additional accessories. Simply attach the standard quick-release plate to the vertical arm of the gimbal and shoot videos that are directly optimized for social media.

Compared to portrait modes on other gimbals, the gimbal rotation angle of the RS 3 Mini is greatly extended in native vertical mode. It even offers the same control experience as in horizontal mode. It is also easy to film in upright mode, hanging mode, flashlight mode and other modes.

NATO extension connector
The RS 3 Mini is equipped with a NATO connector to support the installation of accessories such as briefcase handle, external lights and monitors, allowing for more configurations and greater flexibility.

Intuitive operation
The RS 3 Mini features the same Bluetooth record button that was introduced on the RS 3 Pro. This feature supports popular mirrorless camera models and allows the RS 3 Mini to automatically reconnect to a camera after initial pairing. [2]

After Bluetooth pairing, you can control the video and photo recording functions of your camera directly via the record button on the gimbal. If you are using an Sony camera with a supported digital lens, you can control the optical or digital Zoom of the lens directly from the front dial, eliminating the need for a camera control cable. [2]

Gimbal mode button
Press the M button to switch between PF (Follows with Pan), PTF (Follows with Pan and Tilt) and FPV modes. You can also adjust the follow speed and other parameters of the RS 3 Mini on the touchscreen, allowing for a smoother and more intuitive shooting experience.

1.4" full color touch screen
The RS 3 Mini features a 1.4" full-color touchscreen with a new user interface. Here you can set most functions without the app and access general settings quickly and intuitively.

Focusing with the front dial
Like the rest of the DJI RS series, the RS 3 Mini features an ergonomic front dial that can be rotated to adjust focus, ISO, aperture, shutter and other parameters. [3] Control the movement of the gimbal's three axes with the front dial for more effective one-person shooting.

10 hours of continuous shooting
The integrated battery in the handle supports a runtime of up to 10 hours and provides enough power to fully meet the demands of all-day shooting. [4] Fully charge the RS 3 Mini in just 2.5 hours to get back up and running quickly. You can even use it while charging. [5]

Let yourself be inspired
The Ronin app is full of smart features that inspire.

Time Lapse
Add a time-lapse to any video to create an engaging opening or a stunning transition.

Track
Set the gimbal to move along up to 10 preset points to create a dynamic video of any scene or environment.

Panorama
Use a panoramic photo to capture more of any landscape and capture the overall image.

DJI Mic for professional audio recording
Combine RS 3 Mini with DJI Mic to effortlessly enhance vlogs with audio to achieve higher quality. [6] The integrated design makes the DJI Mic ready to use straight out of the charging cradle. The compact wireless microphone can transmit at distances of up to 250 meters and can support up to 15 hours of recording with the charging cradle. The transmitters are lightweight and easy to handle. With the magnetic accessory, the microphone can also be mounted inconspicuously so that you can handle numerous recording scenarios with confidence.

Notes:

1. The DJI RS 3 Mini weighs 795g in portrait mode, which is approximately 47% lighter than the RS 3 Pro and 38% lighter than the RS 3. When shooting with the horizontal arm, the product weighs 850g. Both figures include the quick-release plate and do not include the extension handle/tripod.
2. Detailed information on supported camera models can be found in the technical specifications.
3. Camera control cable required. Detailed information on supported camera models can be found in the list of compatible cameras.
4. Measured with balanced gimbal and equipment in a horizontal and stationary state. When the gimbal is in motion, the battery life is reduced.
5. Tested at an ambient temperature of 25 °C using a 10 W charger.
6. The DJI Mic is connected via the camera and is sold separately.