Atomos Sumo19 SE
Record up to 6Kp30 ProRes RAW
Unlock the true potential of SDI RAW cinema cameras with the Sumo 19SE. Record in Apple ProRes RAW at up to 6Kp30, 4Kp60 DCI/UHD and 2Kp240 DCI/HD or record in CinemaDNG at up to 4Kp30 DCI, preserving the original quality of the data from the camera sensor. Sumo 19SE is compatible with the cameras of the Sony FS series, Canon C300MKII/C500, Panasonic EVA-1/Varicam LT and others.
10-bit
ProRes and DNxHR/HD up to 4Kp60
video from any camera or digital video source can be recorded via SDI or HDMI. Record up to 10-bit 4:2:2 in Apple ProRes or Avid DNxHR codecs at 4Kp60. With support for multiple inputs via SDI, the SUMO 19SE offers the ability to record up to 4 x inputs and also supports ProRes LT and DNxHD 36 for longer recording times.
High brightness & HDR monitoring
With 1200nit brightness, 19 inch, 1920 x 1080 and 10-bit processing in a robust housing, the SUMO 19SE is at home in any location. The SDI and HDMI inputs support a variety of inputs and offer cross-conversion of the signal with 4K>HD downconversion options.
Live four-channel HD switching and recording Record
up to four 1080p60 streams simultaneously (via 3G SDI Level A only) as separate ISOs, plus a fifth "program" channel of your switched feed, while cueing and switching in real time. Display the resulting mixed output (via HDMI or SDI) live on set or use an HDMI-to-USB capture device to output the switched feed for live streaming. Switching is asynchronous, so no expensive locked sources are required and cheaper cameras that do not support timecode/genlock inputs can be used.
Two balanced 48V XLR stereo inputs
The full-size XLR connectors with 48V phantom power allow the connection of two external microphones with balanced analog audio recording and monitoring. The SUMO 19SE also features dedicated meters, gain controls and image delay settings on each channel. Microphone or line-level audio can be seamlessly synchronized with embedded audio from HDMI and SDI sources.
Resolution and frame rates (recording, monitoring and playback)
6K RAW: up to 6Kp30 via SDI
4K RAW: up to 4Kp60 via SDI
2K RAW: up to 2Kp240 via SDI
4K DCI: up to 4Kp60
4K UHD: up to UHDp60
FHD 1920 x 1080 Progressive: up to 1080p120
FHD 1920 x 1080 PsF: Only via pulldown to Progressive
FHD 1920 x 1080 Interlaced: 1080i50 / 1080i60
1280 x 720p: up to 720p60
Atomos TX-RX 4K Wireless Video Transmission System
TX-RX delivers HD-SDI and stunning 4K HDMI video signals with low latency over 5G Wi-Fi transmission for long distance wireless on-set monitoring.on set over long distances and ensures seamless video surveillance from camera to monitor, monitor to monitor and even to your tablet or phone! Compact and portable, with a range of up to 300 meters and a latency of just 0.06 seconds, the TX-RX delivers a robust real-time signal for professional video applications. The receiver features both SDI and HDMI outputs, allowing users to route video signals to multiple monitors simultaneously. With support for up to four receivers per transmitter, the TX-RX easily adapts to multi-camera and multi-monitor workflows - ideal for everything from single shots to large productions.
Atomos
Sunhood
for Sumo19 SE
The Sunhood for the SUMO19 and SUMO19M is an absolute must-have for working on set and viewing HDR content outdoors. It reliably blocks out sunlight and ambient light and therefore enables precise assessment of the image material on the calibrated display. The sunhood is attached to the front frame of the SUMO using ¼ inch screws. It is therefore firmly attached to the device and all side elements, such as the fixed plate insert or the screw threads, remain freely accessible. The sunhood can be easily folded up for transportation. It is therefore not only very quick to assemble and disassemble, but also protects the display of the SUMO19/M from scratches and knocks. The inside of the Sunhood is covered with a velvety soft fabric for optimum protection of the display. The outside is reinforced and can withstand even a rough day of shooting.
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