You can find a few suitable alternatives here:
Professional system camera with multi-aspect 10-megapixel sensor that lets you shoot great videos and get excellent results even in low-light conditions. With this lens you will achieve professional image quality in almost all conditions.
The DC-GH5S from Panasonic is a video all-rounder and delivers excellent image results. The system camera comes with a Digital Live MOS sensor with 10.2 megapixels of resolution, Venus Engine and Dual Native ISO technology, with which even the darkest image areas can be faithfully reproduced. So you don't have to worry about background noise. Two analog circuits are separated into low-ISO and low-NOISE for specific noise reduction before further signal processing. This achieves a maximum sensitivity of ISO 51,200 in low-light mode. With extended ISO setting, a maximum sensitivity of up to ISO 204,800 is achieved.
Videos can be recorded in 4K at up to 60 fps. To let your creativity run wild, you can now also record in Cinema 4K (4,096 x 2,160 pixels). The recording time is only limited by the size of the memory used. Thanks to 4:2:2 10-bit recording, all the subtleties of color-graded sunsets and sky scenarios are rendered. This prevents banding, which is common with 8-bit. In the area of guerrilla filmmaking, completely new possibilities are achieved through the high performance. Under Photo Style, you can select Hybrid Log Gamma, which lets you reproduce light and dark as the human eye sees them.
You can take pictures with multiple aspect ratios. The focal length doesn't change in 4:3, 17:9, 16:9, and 3:2 formats as 10 of 12 megapixels are used. In Cinema 4K, 4K and Photo modes, as well as in anamorphic mode, this feature is selectable. This allows you to make the most of the lens angle, resulting in impressive videos. Variable frame rate lets you shoot faster and slower videos, so you can let your creativity run wild.
Timecode IN/OUT functionality helps you work with multiple cameras and synchronizes audio visuals and recordings. A 3.5mm microphone jack allows for LINE input. This allows you to feed in sounds from external audio devices for more efficient video production.
The Olympus M.ZUIKO DIGITAL ED 12-40mm f/2.8 is designed to meet the needs of professional photographers in every way. It is the first lens in the PRO category.
When combined with the OM-D, users can look forward to incredibly fast AF performance. With an aperture of f/2.8 across the entire focal length range (24-80mm on a 35mm camera), technologies such as MSC and the manual focus mechanism, high-quality image results are guaranteed in a wide range of photo situations. Dust and splash resistant, it is always ready when needed.
General | |
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Product Type | mirrorless system camera |
Camera body | ✘ |
Camera kit | ✔ |
Colour | black |
Image sensor | |
---|---|
Crop factor | 2.0 |
Sensor chip | Live MOS |
Sensor size | 17,3 x 14,0 mm |
Sensor format | Micro Four Thirds |
effective pixels | 10280000 Pixel |
Resolution | 10.28 Mio. Pixel |
Electronics | |
---|---|
Autofocus | ✔ |
Focusing | Autofocus (AF), Manual Focus (MF) |
shortest exposure time | 1/8000 Sek. |
longest exposure time | 60 Sek. |
Shutter speed | 60-1/8000 Sek. |
Exposure control | Full auto, program auto (with program shift), aperture priority, aperture priority, manual |
Motif programmes | 22 |
Centre-weighted metering | ✔ |
Multi-segment metering | ✔ |
Aperture priority | ✔ |
max. light sensitivity | 80 - 204.800 ISO |
Spot exposure | ✔ |
Continuous photos | 12 B/Sek. |
Video | |
---|---|
4K video recording | ✔ |
Display | |
---|---|
Screen resolution | 1.620000 Pixel |
Screen size | 8.1 cm |
Screen size (in inches) | 3.2 " |
Display mobility | rotatable and swiveling |
Touchscreen | ✔ |
Liveview | ✔ |
Memory | |
---|---|
Memory slot | SD,SDHC,SDXC |
Lens | |
---|---|
digital zoom | 4 x |
Bayonet mount | MFT |
Lens hood | ✔ |
Flash | |
---|---|
Built-in flash | ✔ |
Sync. time | 1/160 Sek. |
Power Supply | |
---|---|
battery type | Lithium-ion battery |
Shots per charge | 440 (CIPA) |
Dimensions | |
---|---|
Dimensions | 4:3, 3:2, 16:9, 1:1 cm |
Dimensions | 138.5 x 98.1 x 87.4 mm |
Wide | 138.5 mm |
Height | 98.1 mm |
Depth | 87.4 mm |
Weight (incl. battery and memory card) | 660 g |
Other features | |
---|---|
Serial photography | ✔ |
Colour depth | 36 bit |
viewfinder | ✔ |
Viewfinder size factor | 0.76 x |
Dioptric correction | ✔ |
Connectivity | WLAN,Bluetooth,HDMI,Pict bridge,AV-out |
RAW files | ✔ |
Face detection | ✔ |
Self-timer | ✔ |
Remote control | ✔ |
Automatic timer | ✔ |
Smartphone control | ✔ |
Waterproof | ✔ |
Das Objektiv ist hervorragend. Sehr Lichtstark, sehr schneller AF, gut verarbeitet mit Metallgehäuse. Die Umschaltung von AF auf MF ist ganz einfach und schnell. Focusring in Richtung Kamera gezogen MF, Richtung Frontlinse geschoben AF. Bin sehr zufrieden und kann das Produkt uneingeschränkt empfehlen.
There are no negative reviews
Das Objektiv ist hervorragend. Sehr Lichtstark, sehr schneller AF, gut verarbeitet mit Metallgehäuse. Die Umschaltung von AF auf MF ist ganz einfach und schnell. Focusring in Richtung Kamera gezogen MF, Richtung Frontlinse geschoben AF. Bin sehr zufrieden und kann das Produkt uneingeschränkt empfehlen.
Eine wirklich tolle Optik aus der pro Serie von Olympus. Ich habe es mal zusammen mit der E-M1 gekauft und war von Anfang an begeistert von diesem tollen objektiv. Die Haptik ist wunderbar, es macht einen sehr sehr hochwertigen Eindruck. Die Abbildungsleistung ist wirklich super, eben wie man es aus der pro Serie gewohnt ist. Das objektiv lässt sich für viele Einsatzzwecke verwenden. Es hat 24 mm Weitwinkel umgerechnet auf Kleinbildformat und geht bis 80 mm in das leichte Tele hinein. Die Lichtstärke von 2,8 lässt Aufnahmen bei schlechten Lichtverhältnissen zu, zeigt aber immer noch einen guten Schärfebereich mit einem wirklich sauberen Bokeh bei Porträtaufnahmen. Perfekt finde ich auch die Umschaltung von Automatik auf manuellen Fokus, das passiert mit einem Griff am Fokusring. Das objektiv ist ein perfektes Allroundtalent für Innenaufnahmen, sowie auch Landschaften.
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