The Sony Alpha 7 III is an absolute all-rounder. With 24.2 megapixels, an ISO range of 100 to 51,200, an autofocus system with 693 phase autofocus points, high-resolution 4K video recording and much more, it's the first choice for every occasion.
Sony Alpha 7 III
Stunning full-frame image quality
The newly developed rear-exposed Exmor R CMOS image sensor with 24.2 megapixels plus front-end LSI stands for ultra-high image quality and speed. The image sensor's readout speed has Sony effectively doubled. Thanks to updated BIONZ X processor, image processing speed also increases by 1.8 times compared to the α7 II. An ISO range of 100 - 51,200 (expandable to ISO 50 - 204,800 for stills), a dynamic range of 15 stops, and significantly improved skin tones and more lifelike colors speak for themselves here. 14-bit RAW is no problem for the α7 III, even in silent continuous shooting. The 5-axis image stabilizer compensates up to 5.0.
Higher AF speed and performance
The new α7 III full-frame mirrorless camera features an autofocus system that has little in common with the α7 II. 4D FOCUS is the keyword here. The 425 AF contrast autofocus points of the new camera are complemented by 693 phase autofocus points, which the α7 III has in common with the α9 camera. The autofocus thus covers about 93 percent of the image. It captures and tracks even the most difficult subjects.
Because image data can be read out more quickly, the α7 III can focus nearly twice as fast in low light as the α7 II. The speed at which it can track objects has also doubled.
The new camera also masters the tried-and-true eye detection, and that too in AF-C mode. The function is even available with A-mount lenses via LA-EA3 adapter. Using the joystick, the autofocus point can be easily and quickly placed in the right position with the thumb. Photographers had already come to appreciate this with the α9 and α7R III.
Fast autofocus for the decisive moment
The new α7 III is capable of capturing up to ten images per second at full resolution with continuous autofocus on the memory card. In total, the buffer is sufficient for up to 177 standard JPEG images, 89 compressed RAW images or 40 uncompressed RAW images. The High Speed mode is possible either with a mechanical shutter or absolutely silent. Even in Live View mode, continuous shooting at up to eight frames per second is possible with minimal delay in the viewfinder or on the LCD.
For even more convenience, all important camera functions can be adjusted at any time or even written to the memory card during image series. These include access to the "Fn" (Function) and "Menu" (Menu) menu buttons, image playback, and several other parameters-including image rating and other functions that facilitate image sorting on location.
In addition, under tungsten lighting, the α7 III can, if desired, automatically detect the frequency of lighting and select the shutter speed so that the light has no effect on the image result. This minimizes exposure or color deviations that can sometimes occur at the top and bottom of images taken at fast shutter speeds.
High-quality video in 4K
The new α7 III can do not only photo, but also video - and in 4K (3840 x 2160 pixels) across the full width of the full-frame image sensor. In video mode, the camera reads every single pixel - without pixel binning. As a result, it captures 2.4 times the amount of data required for 4K movies. The result is high-quality 4K footage with exceptional depth and extra detail.
For ambitious filmmakers, the α7 III can handle the HLG (Hybrid Log-Gamma) image profile. This guarantees an instant HDR workflow that can play back beautiful, realistic 4K HDR images on HDR (HLG) compatible TVs. S-Log2 and S-Log3 are a given for the new camera in video mode - as are Zebra Function and Gamma Display Assist. In Full HD, it can also record four- and five-frame slow-motion footage at 120 frames per second and up to 100 Mbps.
Improvements in build, design, and customization
The new α7 III inherits many features from the α9 and α7R III: these include two media slots, one of which is for UHS-II SD memory cards. JPEGs can be stored on one, RAW shots on the other. Videos and photos can be recorded separately on both memory cards. But data backup, where all data is stored twice - on both cards - is also possible. With a new battery, the camera also shines in terms of runtime. With a CIPA standard of up to 710 shots with active monitor or 610 shots with active viewfinder per charge, it currently offers the longest battery life of all mirrorless cameras. The new Z-series NP-FZ100 battery from Sony has approximately 2.2 times the capacity of the W-series NP-FW50 battery used in the α7 II.
For even more clarity in the menus, up to 30 functions can be stored in "My Menu" for quick access. Photographers can also assign star ratings directly to their images via individual buttons to find good shots even faster for post-processing. In addition, the first three characters of all photo files can be edited. In total, the α7 III has 81 functions that can be assigned to eleven freely assignable buttons. As befits a model in this class, the camera is both dust and moisture resistant.
The α7 III features a high-resolution, high-contrast, fast-operation XGA OLED Tru-Finder with approximately 2.3 million dots for extremely precise, lifelike detail reproduction. Standard or High display settings are also available for both the viewfinder and monitor. Those who like can seamlessly transfer files to a smartphone, tablet, computer or FTP server via Wi-Fi. The USB Type-C SuperSpeed USB port (USB 3.1 Gen 1) also provides more power flexibility with cables and faster image data transfer for PC tethering shooting.
The α7 III also comes with Sony's new "Imaging Edge" software suite, which extends creative possibilities to the entire shooting process - from pre- to post-processing. "Imaging Edge" features three PC applications called "Remote," "Viewer" and "Edit," which can be downloaded for free and support live-view remote shooting and RAW development. In the latest version 1.1, data transfer works about ten percent faster for remote shooting from PC (PC tethering shooting). RAW image processing speed increases by about 65 percent.
Sony SEL-2870
28-70mm Zoomlens with built-in image stabilization for 35mm format
- 35mm shooting for E-mount cameras
- Versatile 28-70mm Zoomlens with F3.5-5.6 aperture
- Sharp and stable shooting with SteadyShot
- Precise detail - When paired with a 35mm E-mount compact camera, the SEL-2870 lens ensures high resolution.
- Versatile shooting options - The versatile 28-70 mm Zoom range allows shooting at longer distances and from a variety of angles.
- Brilliant photos with low aberrations - Three aspherical elements and an ED glass lens reduce aberrations and distortion for high-contrast images.
- Sharp handheld shots - Optical SteadyShot™ image stabilization compensates for camera shake during handheld shooting without a tripod, ensuring blur-free images.
- Ideal for portraits and landscapes - Medium F3.5-5.6 aperture allows higher resolution for wide-angle and telephoto shots even at maximum aperture.
- Shoot in any weather - For shooting in harsh weather conditions, critical areas of the lens body are sealed against dust and moisture.
- Smooth blur effects - A circular aperture with 7 blades creates natural blur or bokeh effects.
- Advanced optics for a compact design - Lightweight and compact optical design in a 295g body.
General | |
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Product Type | mirrorless system camera |
Camera body | ✘ |
Camera kit | ✔ |
Market entry | April 2018 |
Image sensor | |
---|---|
Crop factor | 1.0 |
Sensor chip | CMOS |
Sensor size | 35,8 x 23,9 mm |
Sensor format | ~24x36 |
effective pixels | 2.42 Pixel |
Resolution | 24.2 Mio. Pixel |
Sensor cleaning | ✔ |
Electronics | |
---|---|
Autofocus | ✔ |
Focusing | Phase comparison autofocus with 693 sensors |
Focus points | Phase comparison autofocus |
Focus measuring fields | 693 |
Dimming button | ✔ |
shortest exposure time | 1/8000 Sek. |
longest exposure time | 30 Sek. |
Shutter speed | 30-1/8000 Sek. |
manual exposure | ✔ |
Exposure control | Full auto, program auto (with program shift), aperture priority, aperture priority, manual |
Motif programmes | Portrait, landscape, sunset, night scene, autumn, macro, sport |
Centre-weighted metering | ✔ |
Multi-segment metering | ✔ |
max. light sensitivity | 50 to 204,800 ISO |
Spot exposure | ✔ |
Continuous photos | 10 B/Sek. |
Video | |
---|---|
Video file format | XAVC S (Codec H.264), AVCHD (Codec H.264), MP4 (Codec H.264) |
Max. Video resolution | 3,840 x 2,160 (16:9) 30p |
8k video recording | ✘ |
4K video recording | ✔ |
HD recording | ✔ |
Video time code | ✔ |
Webcam function | ✔ |
Clean HDMI | ✔ |
Clean HDMI Resolution | 3,840 x 2,160 (16:9) 30p |
Clean HDMI Colour space | 4:2:0, 8-bit, 4:2:2, 8-bit |
Display | |
---|---|
Screen resolution | 921.600 Pixel |
Screen size | 7.5 cm |
Screen size (in inches) | 3.0 " |
Display mobility | tiltable |
Touchscreen | ✔ |
Liveview | ✔ |
Memory | |
---|---|
Memory slot | SD,SDHC,SDXC,MemoryStick |
MemorySlotNumber | 2 Slot |
Lens | |
---|---|
Bayonet mount | Sony E |
Focal length | 28-70 mm |
Stabiliser | ✔ |
Stabiliser | ✔ |
max. speed | 3.5-5.6 |
min. Close-up | 30 cm |
Lens hood | ✔ |
Filter thread | 55 mm |
Flash | |
---|---|
Built-in flash | ✘ |
Sync. time | 1/250 Sek. |
Power Supply | |
---|---|
battery type | Sony NP-FZ100 |
Capacity | 2.280 |
Shots per charge | 710 (CIPA) |
Dimensions | |
---|---|
Dimensions | 127 x 96 x 74 mm |
Wide | 127 mm |
Height | 96 mm |
Depth | 74 mm |
Weight (incl. battery and memory card) | 953 g |
Other features | |
---|---|
Serial photography | ✔ |
Colour depth | 24 |
viewfinder | ✔ |
Viewfinder size factor | 0.78 x |
Dioptric correction | ✔ |
Connectivity | WLAN,Bluetooth,HDMI |
RAW files | ✔ |
Face detection | ✔ |
Spirit level | ✔ |
Self-timer | ✔ |
Remote control | ✔ |
Automatic timer | ✘ |
Smartphone control | ✔ |
GPS receiver | ✔ |
Waterproof | ✘ |
Splash-proof | ✔ |
Nach sehr schneller Lieferung erhielt ich Kamera und dies Objektiv. Das Batis/Distagon von Zeiss hat meine Erwartungen noch weit übertroffen. Ich erkenne keine Verzeichnungen und das Objektiv liefert knackige Schärfe bei gutem Kontrast. Dabei ist es - im Vergleich - noch ein relativ leichtes Teil. An der A7 sitzt das Objektiv wackelfrei und fest am E-mount.
There are no negative reviews
The camera is light and very handy.I take very good pictures with the camera.The lens fits.
Review automatically translated! Show originalDie Kamera ist leicht und sehr handlich.
Ich mache sehr gute Bilder mit der Kamera.
Das Objektive passt.
Very fast processing even with additional and subsequent requirements. Insanely courteous and caring contact.Too bad that only five stars are possible.
Review automatically translated! Show originalSehr schnelle Bearbeitung auch bei zusätzlichen und nachträglichen Anforderungen. Wahnsinnig zuvorkommender und sich kümmernder Kontakt.
Schade, dass nur fünf Sterne möglich sind.
Sony Alpha a7 III + Sigma 24-70 Art, a dream combo in the full-frame camera category.Price / performance ratio top!
Review automatically translated! Show originalSony Alpha a7 III + Sigma 24-70 Art, eine traumhafte Kombi in der Kategorie Vollformat-Kameras.
Preis/Leistungsverhältnis Top!
schnelle und einwandfreie Lieferung
die Kamera aus dem Hause Sony ist Top
ich bin sehr zufrieden
Schnelle Lieferung , alles super!
vielseitig einsetzbar und doch gut zu bedienen.
Sehr gute Qualität! Schade, das das 1:1 Format (für online Shops) bei dieser Kamera nicht mehr einstellbar ist.Hat Sony leider eingespart!
Ich bin von Nikon Z50 auf Canon EOS R6 und dann auf Nikon Z6 II umgestiegen. Da ich mich so langsam aber sicher auf Wildlife (Schwerpunkt Vogelfotografie) festgelegt bzw. verliebt habe, ging mir der Autofokus den Nikon in seine Systemkameras einbaut ziemlich auf den Keks. Sehr häufig wurde der Hintergrund fokussiert und der Ausschuss aus Out-of-Focus-Bildern war echt nicht mehr lustig.
Hab mich dann für die Sony Alpha 7 III mit dem Tamron 28-75 f2.8 entschieden. Zusätzlich hab ich mir noch das geniale 200-600 von Sony dazu bestellt.
Was soll ich sagen, ich bin endlich bei meinem Hersteller angekommen. Top Autofokus. Klasse Haptik (hatte hier etwas Angst, aber komme mit meinen Pranker echt super zurecht). Bildqualität bis ISO 12.800 gut zu gebrauchen, Stichwort Topaz Denoise. 10 Bilder die Sekunde sehr flott und mit 8 Bildern/sec auch noch in Echtzeit.
Finde auch das Objektiv echt klasse. Gibt zwar bald den Nachfolger, aber bin damit zufrieden. Sehr leicht und scharf. Lightroom hat ein eigenes Profil für das Objektiv und als RAW-Shooter kein Problem in meinen Augen.
Durch den Wechsel habe ich meine Keeper-rate stark nach oben geschraubt. Was sich allerdings negativ auf den Workflow im Nachgang äußert. Wenn so gut wie alle Bilder scharf sind, dauert das bei durchschnittlich 400 Stück pro Session schon etwas länger.
Dies ist das mit Abstand beste Objektiv, das ich je besessen habe. Es ist von einer bestechenden Schärfe, bis zum Bildrand. Die Farben kommen sehr natürlich und brillant. Tonnenförmige Verzeichnungen habe ich nicht wahrgenommen. Die Handhabung ist leicht, das Gewicht hält sich sehr in Grenzen. Zur Tiefenschärfekontrolle zeigt der kleine Bildschirm auf dem Objektiv bei Manuellschaltungen den Schärfebereich an, was ich für sehr nützlich halte. Das Objektiv ist auf jeden Fall seinen Preis wert.
Ein Hammer-Objektiv für meine Alpha 7III, gepaart mit dem Service von Foto-Erhard: beste Empfehlung.
Ich hatte bislang noch kein schärferes Objektiv in meinem Besitz. Zwar teuer, aber sehr gut.
Die neue A7III merzt gekonnt die allermeisten bekannten Schwachpunkte aus und avanciert damit zum wirklich praktisch nutzbaren DSLR-Ersatz. Vor allem Autofokus, Akku, Lowlightfähigkeiten und diverse Kinderkrankheiten der A7/II wurden beseitigt. Die Verarbeitung wurde verfeinert (kein Knarzen mehr, der Kartenschachtdeckel hält), leider wurde das Touchdiplay nur halbherzig zum Setzen des Fokuspunktes umgesetzt. Das Menü ist verbessert, aber imer noch unlogisch.
Insgesamt ein klarer Fortschritt.
Nach sehr schneller Lieferung erhielt ich Kamera und dies Objektiv. Das Batis/Distagon von Zeiss hat meine Erwartungen noch weit übertroffen. Ich erkenne keine Verzeichnungen und das Objektiv liefert knackige Schärfe bei gutem Kontrast. Dabei ist es - im Vergleich - noch ein relativ leichtes Teil. An der A7 sitzt das Objektiv wackelfrei und fest am E-mount.
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