Fujifilm X-M5 Body black
The Fujifilm X-M5 mirrorless system camera extends the X series, which is known for its compact and lightweight design, outstanding image quality and unique color reproduction.
The X-M5 is suitable for beginners and advanced photo enthusiasts alike. Its high-quality, classic design is typical of the X series. The camera weighs only 355 grams *1, making it the lightest *2 model in the X series. It offers advanced features such as AI-assisted autofocus to detect dynamic objects like animals and cars, as well as 6.2K/30p video recording and 4:2:2 10-bit color depth.
Equipped with the 26.1 megapixel X-Trans CMOS 4 sensor*3 and the fast X Processor 5, it delivers outstanding image quality. A selection dial on the top allows you to quickly switch between different digital film simulations to give photos and videos a popular analog look. A digital image stabilizer and powerful microphones guarantee high-quality moving image recordings. The new 9:16 short film mode makes it easy to shoot vertical videos in vlog mode.
Compact and lightweight
The Fujifilm X-M5 weighs only around 355 grams and measures 111.9 mm wide, 66.6 mm high and 38.0 mm deep. It's fun to have such a light and handy mirrorless digital camera to hand at all times.
The compact camera has a high-quality finish and thus joins the model range of the X series. Symmetrically arranged control dials on the top emphasize the aesthetic appearance, while
the film simulation dial on the top left can be used to switch between a total of 20 digital film simulations depending on the subject and scene. This makes it easy to use a variety of attractive analog looks when photographing and filming.
The mode dial is located at the top right. AUTO mode is ideal for beginners to sophisticated photography. When it is activated, the camera recognizes the respective scene and automatically selects a suitable shooting mode.
High image quality and fast autofocus
The X-M5 has an X-Trans CMOS 4 sensor with 26.1 megapixels and rear exposure as well as the latest high-speed image processor X-Processor 5.
In addition to the existing face and eye autofocus, the camera offers a subject detection autofocus based on deep learning technology. The camera uses artificial intelligence to recognize animals, birds, cars, motorcycles, bicycles, planes, trains, insects and drones.*4
The new AF algorithm enables better prediction of object movements. The camera thus offers precise tracking of dynamic objects and accurate autofocus even with low-contrast subjects.
High-resolution videos
The X-M5 can record high-resolution 6.2K videos at 30 frames per second and 4:2:2 10-bit color quality directly onto the inserted SD card. It supports many other video modes such as 4K recording at 60 frames per second for a smoother presentation of dynamic scenes or Full HD slow motion at 240 frames per second.
The camera is equipped with powerful digital image stabilization. It not only compensates for slight camera shake, but also for strong movements, such as those that occur when walking while filming
. The X-M5 is the first camera in the X series to have three built-in microphones. You can choose between four directional characteristic options: Surround, Front, Rear and Front & Rear. The camera is also the first to feature acoustic noise reduction, which filters out annoying continuous noise during recording - for example the background noise caused by air conditioning.
Vlog mode allows users to intuitively change the recording conditions via the LCD touch screen. Improved icons and their optimized arrangement make video recording even easier. The new 9:16 short movie mode makes it easier than ever to record high-quality vertical videos for social media.
Bit rates of 8 Mbps and 25 Mbps can now also be selected in the media recording settings to speed up the transfer of videos to mobile devices and uploading to social media platforms.
*1 Weight including battery and memory card.
*2 For current X Series models.
*3 X-Trans is a trademark or registered trademark of FUJIFILM Corporation.
*4 Use the "Bird" setting to detect insects and the "Airplane" setting to detect drones.
Sigma 16-300mm f3.5-6.7 DC OS © Fujifilm X Mount
The world's first 18.8x
Zoom
with 16mm wide-angle setting
The Sigma 16-300mm F3.5-6.7 DC OS Contemporary is the world's first mirrorless lens with an 18.8x Zoom ratio. This portable lens is equivalent to 24-450mm* in 35mm format and covers everything from wide angle for landscapes and interiors to super telephoto for sports, wildlife and aviation
*Approximately 25.6-480mm for the Canon RF mount version.
Maximum magnification ratio of 1:2 at 70 mm for impressive close-ups
With a maximum magnification ratio of 1:2 at 70 mm, the Sigma 16-300 mm F3.5-6.7 DC OS Contemporary offers outstanding performance at close range, perfect for capturing detailed images of flowers, insects and other small subjects. With a maximum magnification of 1:3 at the wide-angle end and 1:4 at the telephoto end, photographers have access to a wide range of creative expression.
Small, light and portable
Despite its impressive Zoom range of 16-300 mm, the Sigma 16-300 mm F3.5-6.7 DC OS Contemporary places great emphasis on portability, measuring just 73.8 mm in diameter, 121.4 mm long and weighing only 615 g*. This is achieved through an advanced mechanical and optical design, including a high refractive index glass element with significant thickness differences and an aspherical lens element
*Details refer to the L-mount version.
Accelerated AF speed and accuracy with HLA autofocus motor
To help photographers capture even the most fleeting moments, the Sigma 16-300 mm F3.5-6.7 DC OS Contemporary has an HLA (High-Response Linear Actuator) motor that enables high-speed autofocus with outstanding drive accuracy.
Outstanding optical stabilization through the OS2 algorithm
The Sigma 16-300mm F3.5-6.7 DC OS Contemporary is based on the same technology found in the Sigma super telephoto lenses used by professional nature and sports photographers. It offers 6 stops of optical stabilization at the wide-angle end and 4.5 stops at the telephoto end. The latest OS2 optical stabilization algorithm provides superior image stabilization to mitigate the effects of camera shake. This allows photographers to achieve blur-free results without a tripod, even when shooting in low light and full Zoom
*Measured with an APS-C camera at focal lengths of 16 mm and 300 mm according to CIPA standards.
Equipped with a Zoom lock switch at the wide end
The Sigma 16-300 mm F3.5-6.7 DC OS Contemporary has a Zoom lock switch that can be fixed at the wide end to prevent the lens from extending.
Dust and splash-proof construction* and water-repellent coating
The Sigma 16-300mm F3.5-6.7 DC OS Contemporary is designed for photographers who want to work in all environments. It has a dust and splash-proof construction for use in harsh conditions. In addition, the front element has a water and oil repellent coating that keeps the lens free from contamination
*The construction is dust and splash resistant, but not waterproof. Make sure that the lens does not come into contact with large amounts of water. Water in the lens can cause considerable damage and even make the lens irreparable.
Consistently high image quality over the entire Zoom range
Thanks to its advanced optical design with 1 FLD, 4 SLD and 4 aspherical elements, the lens has excellent aberration correction and delivers sharp results over the entire Zoom and focus range.
Designed to minimize flare and ghosting
By measuring the incidence of light under all conditions and using advanced simulation technology, the Sigma 16-300 mm F3.5-6.7 DC OS Contemporary guarantees outstanding
resistance to
flare and ghosting
.outstanding resistance to flare and ghosting, allowing photographers to capture sharp and clear images even in the most challenging lighting conditions - just as an all-in-one lens should.
Suppressed Focus Breathing for consistent composition
The Sigma 16-300mm F3.5-6.7 DC OS Contemporary is designed to effectively suppress focus breathing, making it the perfect choice for filmmakers as well as photographers working with multi-shot techniques such as focus stacking. Over the entire Zoom range, changes in the angle of view when changing focus are reduced to an absolute minimum.
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