Capture perfect Hollywood-look footage with the Blackmagic Pocket Cinema Camera 6K Pro. Housing only.
The Blackmagic Pocket Cinema Camera 6K Pro comes with a Super 35 sensor, includes additional professional features such as internal neutral density filters for 2, 4, and 6 f-stops, and a 1500 nits bright, adjustable, and tilting HDR LCD perfect for use in bright sunlight. In addition, this model is equipped with two mini-XLR audio jacks and a larger NP-F570-like battery. It has a dynamic range of 13 stops and dual-native ISO technology up to a sensor sensitivity of ISO 25,600 for HDR images.
Moreover, it brings superior low-light performance. External controls provide quick access to key functions, while the 5-inch touchscreen makes cadrage, accurate focusing and changing camera settings a breeze. Features include in-camera SD/UHS-II or CFast 2.0 recorders for recording in Blackmagic RAW or ProRes, and a USB-C expansion port for recording to external storage. Furthermore, the camera offers an EF lens mount, built-in microphones, an XLR jack, a full-size HDMI port, 3D LUT support, Bluetooth, and more.
Shooting resolutions
6144 x 3456 (6K) up to 50 fps,
6144 x 2560 (6K 2.4:1) up to 60 fps,
5744 x 3024 (5.7K 17:9) up to 60 fps,
4096 x 2160 (4K DCI) up to 60 fps,
3840 x 2160 (Ultra HD) up to 60 fps,
3728 x 3104 (3.7K 6:5 anamorphic) up to 60 fps,
2868 x 1512 (2.8K 17:9) up to 120 fps,
1920 x 1080 (HD) up to 120 fps
Connections
Video outputs: 1 HDMI connector for up to 1080p/60
Analog audio inputs: 2 analog XLR mini jacks, switchable between phantom-powered mic operation and line-level up to +14 dBu. 1 x 3.5mm stereo jack. Can also be used as timecode input
Analog audio outputs: 1x 3.5mm headphone jack
Computer interface: USB Type C for recording to external hard drives, PTP camera control and software updates
Frame rates
Maximum sensor frame rate depends on resolution and codec selected. Project frame rates 23.98; 24; 25; 29.97; 30; 50; 59.94 and 60 fps are supported. Off-speed frame rates are supported up to 60 fps in 6K 2.4:1, 120 fps in 2.8K 17:9 and 1080HD
Iris control
Aperture wheel and touchscreen slider for manual adjustments to the aperture of electronically controllable lenses. Aperture button for instant automatic aperture adjustments of compatible lenses
Screen dimensions
5 inch with 1920 x 1080 resolution
Screen type
LCD with capacitive touchscreen
Metadata support
Automatic lens data transfer of electronic EF lenses. Automatic storage of camera settings and film table data such as project, scene number, take and special notes. 3D LUT embeddable in Blackmagic RAW file metadata
Controls
Touchscreen menus on 5-inch screen. 1 on/off button, 1 record button, 1 freeze button, 1 scroll wheel with push function built into handle, 1 ISO button, 1 white balance button, 1 shutter button, 3 software-configurable function buttons, 1 HFR button for high frame rates, 1 Zoombutton, 1 menu button, 1 playback button, 1 focus button, and 1 IRIS button
Recording formats
Blackmagic RAW 3:1, 5:1, 8:1, 12:1, Q0 and Q5 at 6144 x 3456, 6144 x 2560, 5744 x 3024, 3728 x 3104 and 2868 x 1512 with film, extended video or video dynamic range, or metadata embedded custom 3D LUT ProRes 4096 x 2160, 3840 x 2160 and 1920 x 1080 with film, video or extended video dynamic range or custom 3D LUT
General | |
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Colour | black |
Image sensor | |
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Resolution | 6144 x 3456 (6K) up to 50 fps Pixel |
Sensor size | 23,10 x 12,99 mm |
Display | |
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Screen size (in inches) | 5 " |
Touchscreen | ✔ |
Memory | |
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Memory slot | CFast,SD,SDHC,SDXC |
Lens | |
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Bayonet mount | Canon EF |
Dimensions | |
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Dimensions | 180 x 123 x 112 mm |
Weight (incl. battery and memory card) | 1238 g |
Other features | |
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Connectivity | HDMI,Headphone connector,Bluetooth |
other functions | ND filter with four in f-stop |
Die Kamera ist besser als BMPCC 4K, Super! Das lohnt sich.
There are no negative reviews
Cine-BRAW ist eine absolute Freude zu bearbeiten. Natürlich mit Davinci Resolve, was der Kamera ohne weiter Kosten beiliegt. Selbst auf älteren Rechnern (2018) geht das erstaunlich gut. Wichtig ist allerdings eine Grafikkarte mit viel RAM (ab 6/8 GB - bevorzugt NVIDIA).
Die Tiefe der Settings an der Kamera lässt wirklich nicht zu wünschen übrig. Auch ist kein Menu-Diving wie bei allen andern Systemen in der Preisklasse nötig. Das riesige und helle Touch-Display hilft ungemein bei der schnellen Arbeit. Der Sensor produziert wunderschöne Filme in 16 Bit RAW - vernünftiges Glas vorausgesetzt. Umfangreiches Rigging gibt es massig von Smallrig.
Und selbst das volle Rig der 6K Pro kann noch mit etwas Balancing und Ausgleichgewichten auf einem DJI RS2 genutzt werden... samt Focus-Motor und 3D (Auto-)Focus.
Der Entscheidung fiel im Vergleich zur FX3, FX30 und Sony A7SIII (und auch in vielen Punkten die FX6) absolut klar für die 6K Pro aus. Der nächste Schritt wäre dann eine RED Komodo.
Auch Ende 2022 (für mich) das vernünftigste Angebot bis 10.000 EUR. Wer nicht auf ein bestimmtes Eco-System angewiesen ist, macht hier absolut nichts falsch.
Die Kamera ist besser als BMPCC 4K, Super! Das lohnt sich.